Negareh Journal - Keyword Index

A

Abbasid period Comparative study of bird motifs, worked on ceramics between Iran of Abbasi period and China (9th century) [Volume 11, Issue 38, 2016, Pages 106-118]
Abolhasan Hafezian The Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Achaemanid Period Scrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
Achaemenian Comparative study of hybrid animals in Achaemenian and Assyrian art With focus on reliefs and stamps [Volume 11, Issue 39, 2016, Pages 16-33]
Aesthetics Reflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
Aghtamar Effect of Sasanian Motifs in Carved Decoration of the Aghtamar Holy Cross church [Volume 11, Issue 40, 2016, Pages 108-122]
Amir Sharaf Khan Bidlisi The study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
Anatolia The origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]
Archimboldo A Comparative study of Iranian “Interior Hybrid” paint works and paintings of Mongolian Sultans in India and Archimboldo’s- “Camel and Cameleer, The Camel-riding harper fairy and The Earth’s Portrait” [Volume 11, Issue 37, 2016, Pages 63-71]
Architecture Reflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
Armenian art Effect of Sasanian Motifs in Carved Decoration of the Aghtamar Holy Cross church [Volume 11, Issue 40, 2016, Pages 108-122]
Ashoora- lithography illustration-Tohfatozakerin-Tazieh- design-composition-iranian painting The influence of Ashoora in the illustrations of Tohfatozakerin's lithographes [Volume 11, Issue 39, 2016, Pages 100-113]
Assyrian Comparative study of hybrid animals in Achaemenian and Assyrian art With focus on reliefs and stamps [Volume 11, Issue 39, 2016, Pages 16-33]
Astan Quds Razavi Carpet Company Carpets of flowers Shah Abbas Holy Shrine of Imam Reza (AS) [Volume 11, Issue 38, 2016, Pages 78-90]

B

Batik print Comparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
Beginning Timuried Era Studing of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]

C

Committed Art A Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
Coordination with the urban environment A Survey on Harmony of Tehran's mural Color, Form and Theme with the Environment (With the approach of Gestalt psychology) [Volume 11, Issue 37, 2016, Pages 87-101]
Cypress tree symbol Comparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]

D

Decorative Characteristics Studing of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]
Design Investigation of factors affecting the process of design and artistic attitude in the face of the book images processing Qabus-name [Volume 11, Issue 38, 2016, Pages 34-48]
Designs The origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]

E

Egypt Comparative study of book coverse the timurid period and the mamluks of egypt in terms of design and motif [Volume 11, Issue 39, 2016, Pages 76-89]

F

Fereydoun's Court painting A Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]
Figuration A Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
Figurative painting Investigating the variety of figures and human proportions in Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]

G

Gestalt A Survey on Harmony of Tehran's mural Color, Form and Theme with the Environment (With the approach of Gestalt psychology) [Volume 11, Issue 37, 2016, Pages 87-101]
Golestan Palace Analyzing the impact of lithography book a Khosravan images on tiles embossed pictures Golestan Palace Museum [Volume 11, Issue 37, 2016, Pages 73-85]

H

Herat school Investigating the variety of figures and human proportions in Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]
History and Culture of Kurdistan The study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
Holy Cross Church Effect of Sasanian Motifs in Carved Decoration of the Aghtamar Holy Cross church [Volume 11, Issue 40, 2016, Pages 108-122]
Humanitarian relief Scrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
Human proportions Investigating the variety of figures and human proportions in Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]
Hybrid animals Comparative study of hybrid animals in Achaemenian and Assyrian art With focus on reliefs and stamps [Volume 11, Issue 39, 2016, Pages 16-33]
Hypertextuality Comparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]

I

Icon The Trend of Transformation in Islamic Iconography of Iran; from Transcendental to assimilation Approach [Volume 11, Issue 38, 2016, Pages 4-22]
Ilkhanid Studing of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]
Illustration Understanding the book illustrations based on relationship between text and picture [Volume 11, Issue 37, 2016, Pages 103-115]
Illustration Reflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
Illustrations Investigation of factors affecting the process of design and artistic attitude in the face of the book images processing Qabus-name [Volume 11, Issue 38, 2016, Pages 34-48]
Imam Reza (PBUH) Shrine rugs Carpets of flowers Shah Abbas Holy Shrine of Imam Reza (AS) [Volume 11, Issue 38, 2016, Pages 78-90]
Imam Reza Zarih The Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
India Comparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
Inscription The Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Interior Hybrid A Comparative study of Iranian “Interior Hybrid” paint works and paintings of Mongolian Sultans in India and Archimboldo’s- “Camel and Cameleer, The Camel-riding harper fairy and The Earth’s Portrait” [Volume 11, Issue 37, 2016, Pages 63-71]
Intertextuality Comparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]
Iran Comparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
Iran ceramic Comparative study of bird motifs, worked on ceramics between Iran of Abbasi period and China (9th century) [Volume 11, Issue 38, 2016, Pages 106-118]
Iranian Painting A Comparative study of Iranian “Interior Hybrid” paint works and paintings of Mongolian Sultans in India and Archimboldo’s- “Camel and Cameleer, The Camel-riding harper fairy and The Earth’s Portrait” [Volume 11, Issue 37, 2016, Pages 63-71]
Islamic Art Reflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
Islamic Revolution of Iran A Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
Islam – Shia Ideologies – Dragon Figure – Iranian Arts The Influence of Shia Ideology in Using Dragon Figure in Iranian Arts [Volume 11, Issue 40, 2016, Pages 78-91]

J

Jamshid's court Painting A Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]

K

Kalaqi Comparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
Kamal al-din behzad Investigating the variety of figures and human proportions in Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]
Kermani artists Studing of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]
Koran Phenomenology of total name of Hosn and its aesthetics aspects [Volume 11, Issue 40, 2016, Pages 64-76]
Kubad Abad palace The origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]

L

Lotfali Shiraz Analytical and Comparative Study of Bird motifs in Paintings of Flowers and Birds Lotfali Shirazi [Volume 11, Issue 39, 2016, Pages 60-75]

M

Majnun The Analysis of Blue Color Usage for "Majnun,s" Clothing in Persian Painting of Timurid and Safavid Periyods. [Volume 11, Issue 37, 2016, Pages 49-61]
Modernism A Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
Mohammad Taghi Zofan The Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Mongolian India’s painting A Comparative study of Iranian “Interior Hybrid” paint works and paintings of Mongolian Sultans in India and Archimboldo’s- “Camel and Cameleer, The Camel-riding harper fairy and The Earth’s Portrait” [Volume 11, Issue 37, 2016, Pages 63-71]
Motifs Comparative study of the Iranian and Indian batik printing motifs [Volume 11, Issue 38, 2016, Pages 90-106]
Motifs Comparative study of book coverse the timurid period and the mamluks of egypt in terms of design and motif [Volume 11, Issue 39, 2016, Pages 76-89]
Motif Study Identification of Common Point of Entrance Massage of Seven Qajar Public Building through Discourse Analysis of Motifs [Volume 11, Issue 37, 2016, Pages 33-47]

P

Painting A Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]
Paintings of Sharafnameh The study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
Persepolis Scrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
Persian Iranian painting Comparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]
Persian miniature The Trend of Transformation in Islamic Iconography of Iran; from Transcendental to assimilation Approach [Volume 11, Issue 38, 2016, Pages 4-22]
Persian painting The Analysis of Blue Color Usage for "Majnun,s" Clothing in Persian Painting of Timurid and Safavid Periyods. [Volume 11, Issue 37, 2016, Pages 49-61]
Persian painting Investigating the variety of figures and human proportions in Kamal al-din behzad’s paintings [Volume 11, Issue 39, 2016, Pages 90-99]
Plotinus Reflection of Plotinus’ views on the Aesthetics of Iranian-Islamic Art (with Emphasis on Illustration and Architecture) [Volume 11, Issue 38, 2016, Pages 22-34]
Poetry Comparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [Volume 11, Issue 40, 2016, Pages 86-99]

Q

Qabus-name Investigation of factors affecting the process of design and artistic attitude in the face of the book images processing Qabus-name [Volume 11, Issue 38, 2016, Pages 34-48]
Qajar Analyzing the impact of lithography book a Khosravan images on tiles embossed pictures Golestan Palace Museum [Volume 11, Issue 37, 2016, Pages 73-85]
Qajar Painting Analytical and Comparative Study of Bird motifs in Paintings of Flowers and Birds Lotfali Shirazi [Volume 11, Issue 39, 2016, Pages 60-75]
Quran The illumination of “Tashi khatun’s Quran” [Volume 11, Issue 40, 2016, Pages 4-15]
Quran Concepts of Quranic illumination in Savavid period [Volume 11, Issue 40, 2016, Pages 32-49]
Quranic illumination Concepts of Quranic illumination in Savavid period [Volume 11, Issue 40, 2016, Pages 32-49]

R

Roundel Concepts of Quranic illumination in Savavid period [Volume 11, Issue 40, 2016, Pages 32-49]
Rug/Carpet Carpets of flowers Shah Abbas Holy Shrine of Imam Reza (AS) [Volume 11, Issue 38, 2016, Pages 78-90]

S

Safavid The Analysis of Blue Color Usage for "Majnun,s" Clothing in Persian Painting of Timurid and Safavid Periyods. [Volume 11, Issue 37, 2016, Pages 49-61]
Safavid period Concepts of Quranic illumination in Savavid period [Volume 11, Issue 40, 2016, Pages 32-49]
Safavid’s painting The study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
Sassanid patterns Effect of Sasanian Motifs in Carved Decoration of the Aghtamar Holy Cross church [Volume 11, Issue 40, 2016, Pages 108-122]
Sculpture A Study on the Figurative Sculptures from the Islamic Revolution to the End of the Iran-Iraq War with Regard to the Modernism [Volume 11, Issue 39, 2016, Pages 114-126]
Sculptures Scrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
Seljuk The origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]
Seven Public Building From Qajar Era Identification of Common Point of Entrance Massage of Seven Qajar Public Building through Discourse Analysis of Motifs [Volume 11, Issue 37, 2016, Pages 33-47]
Shah Abbasi motif Carpets of flowers Shah Abbas Holy Shrine of Imam Reza (AS) [Volume 11, Issue 38, 2016, Pages 78-90]
Sharafnameh The study of paintings of Amir Sharaf Khan Bidlisi’s Sharafnameh [Volume 11, Issue 38, 2016, Pages 48-60]
Shia Art The Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Shiraz School The illumination of “Tashi khatun’s Quran” [Volume 11, Issue 40, 2016, Pages 4-15]
Shir & Shekar The Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Stucco Studing of decorative characteristics of Kermanid artists stucco works in Ilkhanid until beginning of the Timurid Era [Volume 11, Issue 37, 2016, Pages 19-31]
Symbol Analytical and Comparative Study of Bird motifs in Paintings of Flowers and Birds Lotfali Shirazi [Volume 11, Issue 39, 2016, Pages 60-75]

T

Tahmasp Shahnameh A Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]
Tashi khatun The illumination of “Tashi khatun’s Quran” [Volume 11, Issue 40, 2016, Pages 4-15]
Technical and Stylist Asymmetry Scrutiny on Humanitarian relief of Apadana and three-Doors Palace at Persepolis to Technical and Stylist Asymmetry [Volume 11, Issue 37, 2016, Pages 4-17]
Tehran A Survey on Harmony of Tehran's mural Color, Form and Theme with the Environment (With the approach of Gestalt psychology) [Volume 11, Issue 37, 2016, Pages 87-101]
The House of Inju The illumination of “Tashi khatun’s Quran” [Volume 11, Issue 40, 2016, Pages 4-15]
Thuluth The Inscription of Shir o Shekar (Milk and Sugar) Zarih of Imam Raza from Theological Principles of Shia [Volume 11, Issue 40, 2016, Pages 16-31]
Tile The origin of the motifs on Kubad Abad Palace’s tiles in Turkey with a comparative study of Iranian and Syrian works. [Volume 11, Issue 39, 2016, Pages 46-59]
Tiles of Entrance Identification of Common Point of Entrance Massage of Seven Qajar Public Building through Discourse Analysis of Motifs [Volume 11, Issue 37, 2016, Pages 33-47]
Timurid The Analysis of Blue Color Usage for "Majnun,s" Clothing in Persian Painting of Timurid and Safavid Periyods. [Volume 11, Issue 37, 2016, Pages 49-61]
Timurid Comparative study of book coverse the timurid period and the mamluks of egypt in terms of design and motif [Volume 11, Issue 39, 2016, Pages 76-89]

V

Visual Elements A Comparative Study of Visual Elements of "Jamshid's Court" and " Fereydoun's Court" Paintings in Tahmasp Shahnameh with Emphasis on Compositions of the Paintings [Volume 11, Issue 38, 2016, Pages 60-78]